Creative Arts-Scholarly Publications

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Browsing Creative Arts-Scholarly Publications by Subject "Cinema"

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  • Item
    Open Access
    The Changing Fortunes of the Cinema in Post-Colonial Lagos
    (Urban Generations: Post Colonial Cities. A Publication of the Faculty of Letters and Human Sciences- Rabat, 2004-08-09) Oni, D.
    Urban generations in post-colonial cities have been characterized by the development of certain monuments, architectural edifices and socio-cultural infrastructural facilities. Most of these have, overtime, become dilapidated or are close to going into extinction, through their relevance to the urban milieu is not in question. Restoration of these legacies, in particular the cinema, would assist in the sustainable socio-cultural linkages of at least the immediate urban community.
  • Item
    Open Access
    Striking Expressions: Theatre and Culture in National Development
    (Society of Nigeria Theatre Artists (SONTA): National Secretariat, Department of Theatre Arts, University of Maiduguri, Nigeria, 2008-07-09) Oni, D.
    Theatre and cinema. Tradition, innovation and change in contemporary Nigerian theatre ; Theatre, culture and change management in Nigeria: Theatre education and spectatorial participation as key to the activism and societal consciousness of the change mantra ; FESTAC 77 and the Nigerian national theatre legacy ; The role of creative arts in a society's quest for peaceful environment ; Theatre training in the Nigerian university system: A critical assessment of selected design and technology courses at Ibadan and Lagos ; Lighting: Beyond illumination ; Development of design and technology in the Nigerian theatre: From Ibadan to Nassarawa ; Design and technology considerations in contemporary Nigerian theatre performances: A critical assessment ; Scenography and dramatic atmosphere in Ukala's The Placenta of Death ; Producing Osofisan's Midnight Hotel and Tegonni: Challenges for the design team ; Multiculturalism and the predicament of African and African diaspora dramatists ; Historiographic representations of Africans and diasporan Africans in theatrical works: Performance paradigms of Walcott, Aidoo and Onwueme in perspective ; Ebenezer Obey and his musical activities in Lagos state ; The changing fortunes of the cinema in post-colonial Lagos