A Church in a Cinema Hall? Pentecostal Appropriation of Public Space in Nigeria

dc.contributor.authorAdeboye, O.
dc.date.accessioned2022-11-14T11:44:41Z
dc.date.available2022-11-14T11:44:41Z
dc.date.issued2012
dc.descriptionScholarly articleen_US
dc.description.abstractOver the past two decades Nigeria has become a hotbed of Pentecostal activity. It is the view of this study that Pentecostal visibility in Nigeria has been enhanced not just by Pentecostals’ aggressive utilization of media technology for proselytization as claimed by previous scholars, but also by their appropriation of public spaces for worship. This study not only focuses on the church in the cinema hall, but also on churches in nightclubs, hotels, and other such places previously demonized as ‘abode[s] of sin’ by classical Pentecostals. This paper argues that users’ perception of public spaces having rigid meanings and unchanging usage was responsible for much of the tensions experienced. It would be more useful for academic analysts and various ‘publics’ to construe such spaces as dynamic sites, at once reflecting mutations in the public sphere, responsive to local and global socio-economic processes, and amenable to periodic reinventions and negotiations.en_US
dc.identifier.citationAdeboye, O.(2012). A Church in a Cinema Hall? Pentecostal Appropriation of Public Space in Nigeriaen_US
dc.identifier.urihttps://ir.unilag.edu.ng/handle/123456789/11873
dc.language.isoenen_US
dc.publisherJournal of Religion in Africa "A Church in a Cinema Hall? Pentecostal Appropriation of Public Space in Nigeria" Journal of Religion in Africa (New Orleans, USA), 16 42:2 (2012), 1-27en_US
dc.subjectPentecostal churchesen_US
dc.subjectPentecostal activityen_US
dc.subjectPentecostal visibilityen_US
dc.subjectNigeriaen_US
dc.subjectMedia technologyen_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::History and philosophy subjectsen_US
dc.titleA Church in a Cinema Hall? Pentecostal Appropriation of Public Space in Nigeriaen_US
dc.typeArticleen_US
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