Bardolatry and the Creative Space: The Example of Niyi Osundare and Akeem Lasisi

dc.contributor.authorAnyokwu, C
dc.date.accessioned2019-03-11T11:34:21Z
dc.date.available2019-03-11T11:34:21Z
dc.date.issued2014
dc.descriptionJournal Articlesen_US
dc.description.abstractThe question of "Influence" is one that dates back to ancient classical times and one which has engaged both creative and critical writers and scholars down the ages. In his influential study entitled The Anxiety of Influence: A Theory of Poetry, Harold Bloom thoroughly investigates the concept, arguing the inescapability of "Influence" in the creative process as well as in the critical enterprise. Basing our argument on Bloom's theory, we examine the relationship between Osundare's verse and Akeem Lasisi's poetry and conclude that the one influenced the other in spite of the fact that both poets hail from Yorubaland.en_US
dc.description.sponsorshipTertiary Education Trust Funden_US
dc.identifier.citationAnyokwu, C (2014). Bardolatry and the Creative Space: The Example of Niyi Osundare and Akeem Lasisi. Unilag Journal of Humanities, Vol.2(1), 23-38p.en_US
dc.identifier.issn2408-5030
dc.identifier.urihttps://ir.unilag.edu.ng/handle/123456789/3929
dc.language.isoenen_US
dc.publisherUniversity of Lagos Press, Akokaen_US
dc.relation.ispartofseriesUniversity of lagos Journal;Vol.2(1)
dc.subjectPoetryen_US
dc.subjectArtsen_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.titleBardolatry and the Creative Space: The Example of Niyi Osundare and Akeem Lasisien_US
dc.typeArticleen_US
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