The Zaria Art Society : a new consciousness : book review

dc.contributor.authorAkatakpo, D
dc.date.accessioned2016-03-17T17:22:44Z
dc.date.available2016-03-17T17:22:44Z
dc.date.issued1998-11
dc.descriptionTo access the full text of this article, kindly contact the University Librarian- Dr. Olukemi Fadehan via the administrators: Dr. Yetunde Zaid (yzaid@unilag.edu.ng) or Dr. Christopher Okiki (cokiki@unilag.edu.ng) of the University of Lagos Library.en_US
dc.description.abstractThe bane of most publications on contemporary African art in existence is that they cannot be confidently tagged substantive as such. This is because the information contained in them often reflects some degree of ethnocentricism, application of wrong methodologies, poor information processing and management leading to dissemination of ideas which are questionable. Others are improper interpretation of existing theories, art forms and artist intentions among many others. This however has been the trend for decades.en_US
dc.identifier.citationAkatakpo, D. (1998) The Zaria Art Society : a new consciousness : book review. Nigerian Journal of Art. 3 (1-2) 155-160.en_US
dc.identifier.urihttp://ir.unilag.edu.ng:8080/xmlui/handle/123456789/596
dc.language.isoenen_US
dc.subjectAfrican arten_US
dc.subjectethnocentricismen_US
dc.subjectZaria Art Society (Nigeria)en_US
dc.subjectArt theoriesen_US
dc.subjectArt formsen_US
dc.subjectartisten_US
dc.titleThe Zaria Art Society : a new consciousness : book reviewen_US
dc.typeOtheren_US
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