Reconstruction the performance paradigm in unconventional theatrical settings: The Example of Wole Soyinkas a Dance of the Forests

dc.contributor.authorOni, D.
dc.date.accessioned2022-01-14T13:50:35Z
dc.date.available2022-01-14T13:50:35Z
dc.date.issued2019-07-13
dc.descriptionScholarly articlesen_US
dc.description.abstractThis paper examines how technical elements are used in the presentation in an unconventional stage of A Dance of the Forests that was presented at Ijegba9 Soyink's residence in Abeokuta) as directed by Tunde Awosanmi and the challenges staging Death and the King's Horeseman on a conventional stage (the Cinema Hall I of the National Arts Theatre, Iganmu, Lagos) by the National Troupe of Nigeria as directed by Mike Anyanwu.en_US
dc.identifier.citationOni, D. (2019).Reconstruction the performance paradigm in unconventional theatrical settings: The Example of Wole Soyinkas a Dance of the Forests. The Soyinka Impulse: Essays on Wole Soyinka (ed. Duro Oni and Bisi Adigun; published by Bookcraft Publishing)en_US
dc.identifier.issn9789785602296
dc.identifier.urihttps://ir.unilag.edu.ng/handle/123456789/10375
dc.language.isoenen_US
dc.publisherThe Soyinka Impulse: Essays on Wole Soyinka (ed. Duro Oni and Bisi Adigun; published by Bookcraft Publishing)en_US
dc.subjectPerformance paradigm, Unconventional settings, theater and stage settings and challenges,en_US
dc.subjectPerformance paradigmen_US
dc.subjectUnconventional settingsen_US
dc.subjectTheater and stage settings and challengesen_US
dc.subjectDanceen_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjectsen_US
dc.titleReconstruction the performance paradigm in unconventional theatrical settings: The Example of Wole Soyinkas a Dance of the Forestsen_US
dc.typeArticleen_US
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